When filmmaker Sav Rodgers set out to create a documentary about his lifelong love for the 1997 film, Chasing Amy, he had no idea just how personal the journey would become. What started as a love letter to a movie that meant everything to him as a queer kid in Kansas turned into a soul-baring exploration of identity, vulnerability, and self-acceptance.

"One of the earliest visions I had for the film was like, I'd like to have this specific song in it," Rodgers says, referring to "Jumpstart" by the Hang Ups. Licensing the track was no easy feat, but it was a dream come true when the songwriter, Brian Tighe, supported the film after seeing it at a festival. "He posted the kindest response to the film. He was moved by it," Rodgers recalls. The moment felt cyclical, as a song that had deeply resonated with him growing up now underscored a project that gave him the voice to share his truth.

Rodgers’ path to making Chasing Chasing Amy began with a TED residency he discovered through a Facebook ad. Though he had no initial idea for a talk, he applied anyway. "The worst they can say is no," he reasoned. During the interview, he shared how Chasing Amy had saved his life. "There was a kind of stunned silence," he says. Days later, he was accepted. That experience laid the groundwork for a film, which would grow far beyond a fan tribute.

The TED residency became the launchpad for Rodgers’ pre-production, but it was also where he began discovering how much of his own story needed to be told. "At the beginning, it was a lot of cut-and-dry research," he explains. "But the story became extremely personal in a way that I hadn't anticipated."

Rodgers was not initially planning to be the center of the film. As the process unfolded, however, his transformation emerged as a vital part of the narrative. "Watching myself transition—that is a deeply unpleasant experience," he admits. “It's hard to watch yourself make mistakes, to screw up, not being where you thought you were.” It became impossible to separate the story of Chasing Amy from his journey toward understanding himself.

"I wanted to be Riley's boyfriend. I wanted to be my mother's son. I always have been, but I wanted to be called that," he shares. It was through his relationship with his now-wife, Riley, and the support of friends and mentors, that Rodgers began embracing his identity as a trans man. "There have always been trans people. We didn’t just come out of nowhere. We've always existed."

Coming out publicly was a turning point. It happened shortly after an emotional on-camera conversation with Chasing Amy director Kevin Smith. "That interview was a major step in me coming out," he says. "A month later…I came out publicly. It was the straw that finally broke my back."

That experience with Kevin Smith—a filmmaker whose work once saved him—came full circle. “The first take we did, we sat down and I asked Kevin, ‘How are you feeling?’ and he talked for 45 minutes straight,” Rodgers laughs. “I don’t think he ever answered the question.” But what came from their time together wasn’t just storytelling nostalgia. It was a candid reckoning with legacy, responsibility, and creative vulnerability. “Kevin answered as forthright as he did. I don’t think a lot of filmmakers would sit down with a documentarian on the record to talk about the ways in which people did not respond to his work and how it made him feel.”

The film’s emotional core is perhaps most powerfully captured in Rodgers’ interview with Joey Lauren Adams, the actress who starred in Chasing Amy. "Joey sharing her truth not only changed the direction of the movie but also my life," Rodgers says. Her candid reflections on the challenges she faced during and after the making of the film reshaped the documentary. "When somebody trusts you with their truth, it's your duty to shut up and listen."

Rodgers is quick to point out that Chasing Chasing Amy is not a "scoop." It's not about shock value. It's about honoring the honesty and complexity of lived experiences. "What we get from these interviews is a lot of new history that's unearthed that hadn’t been talked about in public before," he says. "Kevin, Joey—everyone was vulnerable, and that takes guts."

But it wasn’t just the interviews that made the documentary impactful. It was also the labor of post-production that forced Rodgers to confront his own evolving narrative. “A documentary is made in post,” he says. “I had to look at all the footage we assembled and start to make creative choices about what is the movie.” What unfolded was an honest, often unfiltered lens on identity. “You’re faced with the objective truth of what the camera picks up,” he says. “Am I a likable protagonist? Is my story relatable? Does anybody care?”

His collaborators became an emotional and professional lifeline. “This process was difficult, but it was made a lot easier by all the incredible collaborators that were on this film,” he says. “Our editor, Sharika, our AE, Lauren, our producers, who gave so many detailed, wonderful notes… It was invaluable for learning what I do and don’t want from a story.”

Now that the film is out in the world, Rodgers reflects on the original Chasing Amy with a new lens. "It'll take a long time for me to pull apart what it means to me now," he admits. The documentary has become the defining chapter in his life—a period of immense growth, healing, and artistic awakening.

From conversations with parents of trans kids to encounters with fellow Kevin Smith fans, the film has created a bridge between personal identity and shared cultural experiences. "I'm so thankful that I get to move forward and find my vocation as a storyteller," he says.

Rodgers also hopes that the film serves as an entry point for people who may have never knowingly interacted with a trans person before. "People who share no life experience with me other than also liking a Kevin Smith movie have come away learning something new," he says. That intersection of pop culture and personal truth becomes the film’s most resonant message.

In reflecting on his journey, Rodgers holds deep gratitude for everyone involved in both the original film and his documentary. "Whether you influence the catering on set or helm the whole shebang, I am thankful for the people who made that movie," he says.
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Sav Rodgers didn’t just make a film. He unearthed a story that connected generations, challenged perceptions, and offered a glimpse into the courage it takes to be truly seen. "This process helped me in so many ways, even if there were a lot of intense growing pains," he says. And for anyone still searching for themselves, Chasing Chasing Amy is a heartfelt reminder that identity is not just discovered—it’s made, piece by piece, with bravery, truth, and love.

For ViLette Stratton, drag wasn’t something she fell into by accident—it was something that quietly called her name until she was ready to answer. Her story, like so many in the LGBTQ+ community, is one of evolution. Of turning discomfort into confidence, fear into freedom, and art into a vehicle for truth.

Her official start in drag came in 2013, but the seed had been planted years before. “I saw my first show at the age of 18 at UNM, and it sparked my curiosity,” ViLette recalls. That moment unlocked a sense of possibility. “I dabbled a little in drag—even dressed up as a fairy for Halloween one year. I even met a queen who put me in drag when I was 18. It was a whole different experience. I loved and hated it at the same time and couldn’t figure out why.” She laughs softly, reflecting on how complicated that first taste of drag felt.

That moment could have been the end—but it wasn’t. “I said I’d never do drag again,” she admits. “But as I approached 21, I thought, maybe I should try it. It could be fun.” And try it she did. She returned to the very same show at UNM—only this time as a performer. “That was my very first show, and I haven’t stopped since.”

Since then, ViLette has carved out a vibrant presence in the New Mexico drag scene—not just with stunning performances, but with a deeply rooted sense of community. “I feel like I bring a sense of family and warmth. I’m always greeting everyone with a smile and a hug. You never know what others are going through, and a little kindness can make someone’s whole day.”

That philosophy goes beyond the stage. ViLette is also a designer with her own small business, Creations by ViLette, creating custom looks not only for herself but for other entertainers throughout Albuquerque. Her performances are captivating, her looks unforgettable—but it’s her heart that leaves the biggest impression. “I love engaging with the audience and connecting. I want them to feel something.”

But ViLette’s drag is more than entertainment—it has been a catalyst for discovering her most authentic self. Growing up, ViLette was always aware of her femininity, but had no framework to understand it. “As a teen, I didn’t know what being trans or transitioning was,” she says. “So, I just assumed, Oh, I’m a gay guy. I have to try and still be masculine so other gay guys would like me.”
Starting drag gave her the space to explore. “It brought me so much joy being able to express my femininity,” she says. “But it also confused me. I started meeting other trans people, and I was envious. I thought, ‘I’ll never have the means to transition.’ So, for years, I settled. Drag was the only way I allowed myself to be feminine.”

For a long time, ViLette rarely appeared in public outside of drag. “Most people didn’t even know what I looked like out of drag,” she shares. “I only posted pictures in drag, only went out in drag. And that worked—until it didn’t. Until I wanted more for my life.”

That desire led her to take brave, practical steps toward transitioning. “I realized there were resources. I made some calls and got on waiting lists. Eventually, I got into therapy, got on the right meds, and started living life for me.” She smiles. “Here I am today—happier with myself than I’ve ever been.”
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As her identity evolved, so did her drag. “My drag has gone through many phases,” she says. “Glitter beards, artsy, cosplay, high femme—you name it. But as I became more comfortable with myself, I started leaning into what gave me the most confidence.” Today, her drag is a stunning blend of femininity and power, creativity and clarity. “I still love experimenting,” she says, “but I’ve found my sweet spot.”

With all the lessons she's gathered along the way, ViLette has one central message she hopes to share, especially with LGBTQ+ youth. “Be true to yourself,” she says. “It’s okay to put yourself first. And kindness? It’s powerful. It can take you places you never imagined.”

She also encourages younger members of the queer community to look beyond national headlines. “Learn not only monumental LGBTQ history but local queer history. Get to know the community as a whole, young and old. Ask questions. Listen to people’s stories.”

And above all else: “Be brave. Be courageous. Practice self-care. We’re living in a scary time, politically. Trans and nonbinary folks especially are under attack. So now, more than ever, we need to stick together. We need to show up for each other.”

ViLette Stratton is more than a performer—she’s a living reminder that self-discovery is an act of courage, that drag is both a mirror and a window, and that community begins with compassion. She’s sewn her own garments, stitched together resilience from adversity, and created a life—and a stage persona—that speaks truth in rhinestones, lashes, and love.

And in every performance, every hug, and every shared story, she reminds us: being yourself isn’t just brave—it’s revolutionary. P&E - Teresa Robinson

Follow ViLette on social media at @vilettestratton on Instagram and Facebook.

Popejoy Hall proudly announces its highly anticipated 2025–2026 Popejoy Presents season, a vibrant lineup that promises to captivate audiences across New Mexico with a rich mix of theatrical, musical, and dance performances. This hallmark program features two signature subscription series: the Broadway in New Mexico Series and the Ovation Series.

Set to open on October 4, 2025, the season launches with Twilight in Concert, an immersive film-to-concert experience that transforms the beloved movie into a cinematic event accompanied by a live rock and orchestral ensemble. The concert sets the tone for a season defined by excitement, spectacle, and cultural depth.

“This season promises extraordinary variety and excitement,” said Popejoy Hall Director Fabianna Borghese. “From Broadway blockbusters to innovative dance and global music, we are proud to bring such a diverse range of world-class entertainment to New Mexico audiences.”

The Broadway in New Mexico Series showcases a stunning collection of Tony Award-winning productions making their New Mexico debuts. Audiences can look forward to MJ The Musical, the electrifying celebration of Michael Jackson’s artistry, and Moulin Rouge! The Musical, an opulent, high-energy spectacle based on Baz Luhrmann’s revolutionary film. Both productions are set to thrill theatergoers with their larger-than-life storytelling and unforgettable music.

Joining them on stage are the family-friendly comedy Mrs. Doubtfire, the inspiring biographical journey of A Beautiful Noise: The Neil Diamond Musical, and the ever-iconic Chicago, a Broadway staple known for its sultry jazz numbers and sharp satire. As an added treat, The Book of Mormon, the uproariously irreverent musical from the creators of South Park, returns as a season option due to overwhelming popular demand.

Beyond Broadway, the Ovation Series enriches the season with a global array of performances spanning music, dance, and theatrical innovation. Following the season-opening Twilight in Concert, the series continues with The Life and Music of George Michael, a heartfelt tribute to the pop icon’s enduring legacy. Fans of animation and epic soundtracks will be delighted by Avatar: The Last Airbender in Concert, which brings Aang’s story to life with a live orchestra, and Moana Live-to-Film Concert, featuring Polynesian rhythms and vocal performances synced with the beloved Disney film.

The holiday season comes alive at Popejoy with annual favorite Mariachi Christmas, a vibrant celebration of Mexican culture through music and dance, and Shamrock Tenors – Christmas in Belfast, a joyful showcase of Irish holiday traditions performed in rich five-part harmony.

In January, audiences can relive the unforgettable journey of Paul Simon and Art Garfunkel through The Simon & Garfunkel Story, and sing along to their favorite show tunes at Sing-A-Long Broadway, a high-energy, interactive musical experience perfect for Broadway fans of all ages.

The eclectic Ovation lineup also includes the return of the all-male comic ballet company Les Ballets Trockadero de Monte Carlo, whose brilliant parodies of classical ballet have entertained audiences around the world for over 50 years. The big band swing of the Glenn Miller Orchestra brings nostalgic charm, while the dynamic voices of The TEN Tenors light up their 30th Anniversary World Tour.

Family-friendly programming continues with Peppa Pig: My First Concert, designed to introduce young children to live orchestral music, and The Mikado, performed by the New York Gilbert & Sullivan Players in a reimagined version of the classic operetta.
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Cirque enthusiasts will be mesmerized by Cirque Mechanics – Tilt!, a visually stunning journey through a fantastical theme park, while literary fans can sink their teeth into the dramatic suspense of The Hound of the Baskervilles, presented by Aquila Theatre in a new stage adaptation.

Highlighting women in music, Women of Americana – A Celebration of American Music shines a spotlight on songs by legends like Bob Dylan, Bonnie Raitt, and Sister Rosetta Tharpe, performed by acclaimed artists Cristina Vane and Brennen Leigh. Meanwhile, Pilobolus – Other Worlds explores the boundaries of movement and imagination in a riveting dance performance.

Dance fans can anticipate a powerful evening with Dance Theatre of Harlem, a company known for its groundbreaking repertoire and inclusive message. Wrapping up the season with a burst of energy and street culture flair is 360 ALLSTARS, an urban circus combining BMX biking, beatboxing, acrobatics, and more.

As Popejoy Hall prepares to welcome thousands of guests to its grand stage, Borghese reflects on what makes this season unique: “It’s not just the caliber of talent or the variety of genres—we’re creating shared moments that uplift, entertain, and inspire. That’s what Popejoy Presents is all about.”

To enjoy the full experience, patrons can subscribe to the Broadway in New Mexico Series, selecting all five mainstage musicals, or craft their season by choosing four or more shows from the Ovation Series. For more information or to subscribe, visit popejoypresents.com/subscribe

From the dazzling lights of Broadway to the rich rhythms of global music and the thrill of contemporary dance and circus, the 2025–2026 Popejoy Presents season promises an unforgettable theatrical experience. Running from October 2025 through May 2026, this new season at Popejoy Hall invites New Mexicans to experience the magic, one extraordinary show at a time. Discover more at popejoypresents.com.

Since 2006, the Vincent R. Johnson Models of Hope Awards have celebrated individuals and organizations that embody resilience, leadership, and advocacy within New Mexico’s LGBTQ+ community. This year’s honorees—Gemma Rhoid, Lee Ignatius King, and UNM Truman Health Services—represent a powerful spectrum of personal triumph, creative expression, and life-saving care. Learn more about this year’s honorees.

Join us in celebrating these remarkable honorees, including our 2024 honorees, at the Models of Hope Gala Brunch on August 30, 2025, at La Fonda del Bosque, at 11:30 am. Their stories of resilience, creativity, and compassion inspire us all to build a more inclusive and supportive community. Tickets are available now at myprideonline.com/models-of-hope.

For the full Q&A of our honorees, pick up the latest issue of PRIDE & Equality Magazine throughout the community or order a digital copy HERE.

From a conservative town in Kansas to the epicenter of LGBTQ+ advocacy in New York City, Stacy Lentz has built a legacy rooted in resistance, representation, and revolutionary change. As the co-owner of the Stonewall Inn and co-founder of the Stonewall Inn Gives Back Initiative (SIGBI), Lentz has transformed one of the most iconic symbols of queer liberation into a global platform for change. Her activism is not just about honoring the past—it’s about shaping a future where every LGBTQ+ person, everywhere, feels safe, seen, and supported.

Lentz’s journey began far from the bustling streets of Manhattan. “I think for me a lot of it came from growing up in a very Christian conservative part of Kansas in the middle of a cornfield in a time when it's not easy to be LGBTQ in the 70s and 80s,” she recalls. Her awakening to the urgent need for advocacy crystallized in 1993 when Brandon Teena, a transgender man, was brutally murdered just 45 minutes from her hometown. “Watching how the media, the press, people in my hometown felt and covered that was just insanity for me,” she says. “That was a very eye-opening experience and kind of changed the trajectory of what I wanted to do.”

But activism wasn’t something she could pursue openly—at least not yet. “I didn’t get into the activism until I got to New York and I felt safe,” she explains. “I wanted to make sure I was in the right space to do what I needed to do for our community.” That moment came in 2006, when the Stonewall Inn—site of the 1969 uprising that sparked the modern LGBTQ+ rights movement—was up for sale. Alongside her business partners Bill Morgan, Kurt Kelly, and Tony DiCicco, Lentz stepped in to preserve the landmark and restore its place as a center of advocacy. “We wanted to put it back on the map and get it back at the forefront of the LGBTQ rights movement.”

By 2017, it was clear the bar’s historical significance could be a powerful tool for global change. Lentz and her partners launched the Stonewall Inn Gives Back Initiative, a nonprofit aimed at supporting grassroots activists and safe spaces around the world. “We saw an opportunity…We’ll take these corporations' brand and their money and we’ll partner with them and form our own nonprofit and give it to grassroots activists all over the globe,” she says. The mission is clear: leverage the Stonewall Inn’s legacy to amplify the voices and protect the lives of those most vulnerable.

SIGBI’s expansive reach supports activists from Uganda and Kenya to Kansas and Mississippi. “We wanted to take that Stonewall Inn legacy and spread it to the places and spaces that need it the most,” Lentz emphasizes. This isn’t just about nostalgia; it’s about action. “The Stonewall Inn has such a historic platform. So many people recognize what it means globally. We would be silly and irresponsible as owners not to use that platform.”

Educating the next generation is just as important. Lentz is passionate about preserving LGBTQ+ history and ensuring young people understand its relevance. “We’ve partnered up with even the NYC Department of Education, where we give tours to high schoolers, even junior high students,” she says. “If you don't know your history, you may not have a future.” That history is more urgent now than ever. “A few years ago, maybe people felt content, comfortable. And now we're in an environment where they see that it can all be wiped away with a vote, essentially—which is crazy.”

Indeed, Lentz sees voting as a critical battleground for LGBTQ+ rights. “We got here, sadly, legally through the voting process,” she warns. “Whether it's your local school board, state, or national level—you need to vote for a party that's going to protect your rights.” But civic engagement goes beyond the ballot box. “We’ve got to take one out of their playbook and realize that money still talks. We need to put our money where our mouth is.”

That philosophy inspired SIGBI’s Safe Spaces Certification program. The initiative allows businesses of all sizes—“your dentist, a large corporation”—to earn recognition for their year-round commitment to LGBTQ+ inclusion. “One of the criteria is you need to support the community 365 days a year, not just during Pride month,” Lentz explains. “I'm not just a lesbian in June. I'm a lesbian every day of the year.”

Lentz is candid about the challenges of today’s political climate, especially for the trans and non-binary community. “This administration spent millions of dollars on ads saying they were going to do just that—attack trans people,” she says. “And they’ve done it.” Still, she remains hopeful, pointing to organizations like Lambda Legal and the ACLU that are “fighting that in court—and winning.” Legal victories are crucial, but so is cultural change. “We’ve got to keep that battle up for hearts and minds.”

That means having difficult conversations, even outside progressive circles. “The real work is not living in our echo chambers. It's talking to people who don’t identify exactly the way I do,” she says. And for those exhausted by the fight? “I get it. But that’s where folks like me, with white privilege, cis privilege, can step in. The burden shouldn’t always fall on our BIPOC, trans, and non-binary siblings.”

As for performative allyship—especially during Pride—Lentz has a clear stance. “Pride is 365. We need to look at what you’re doing in December, in November. What are you doing when the parades are over?” SIGBI’s soon-to-launch heat map will showcase every certified safe space around the globe, sending a powerful message: “Not everyone is abandoning the LGBTQ+ community. Not everyone is against diversity, equity, and inclusion.”

When asked what gives her hope, Lentz doesn’t hesitate. “I see a younger generation having that ‘aha’ moment. They realize that we could lose everything that past generations fought for. And they’re coming out swinging.” That fire, she says, is the fuel the movement needs. “We’ve been here before. The battle is not over. But seeing them pick up the fight—that gives me hope.”

In an era when visibility is still revolutionary, Stacy Lentz’s message is clear: Pride is a protest, a promise, and a path forward. Through the Stonewall Inn Gives Back Initiative, she’s ensuring that the legacy of Stonewall doesn’t just live in memory—it thrives in action. P&E - Teresa Robinson

Nestled in the Wasatch Mountains of Utah, Park City is a gem for outdoor enthusiasts, history buffs, and those seeking a world-class dining and relaxation experience. Originally a silver mining town, it has evolved into one of the most popular destinations in the United States, offering not just world-class ski resorts and summer outdoor activities, but also a rich blend of culture, fine dining, and leisure. Whether you are planning a winter getaway, visiting the renowned Sundance Film Festival, or just a weekend escape, Park City offers something for everyone. Among the many things that make it a premier destination are events like the Park City Wine Fest.

Park City Wine Fest is a premier event that draws wine lovers from across the country. Held annually, this multi-day festival is a celebration of fine wines from around the globe, paired with the breathtaking backdrop of the mountains. The event is perfect for both wine connoisseurs and casual drinkers alike, offering something for every palate.

The Wine Fest is not just about tasting a wide variety of wines; it also showcases local cuisine, with restaurants and chefs from Park City presenting gourmet dishes that complement the wines. Wine education is another key aspect of the event, with seminars led by sommeliers, winemakers, and wine experts who share their knowledge on everything from pairing wine with food to understanding different wine regions.

The festival is a true highlight in Park City’s event calendar, combining the beauty of the location with a sophisticated, yet relaxed vibe. Attendees can explore a variety of experiences, including scenic mountain hikes paired with wine tastings, grand tastings at the base of Park City Mountain Resort, and intimate, wine-paired dinners, like the one I attended at the beautiful Waldorf Astoria. The Rustic Reds dinner was a wonderfully sophisticated wine-paired feast led by Wine Academy of Utah’s Jim Santangelo. The five-course meal began with a delicious amuse-bouche followed by beef tartare, endive salad, filet mignon and chocolate cake, each paired perfectly with a glass of wine hand-selected by Santangelo.

For those who appreciate fine dining, Park City is home to a variety of outstanding restaurants, with Edge Steakhouse being one of the best. Located in the Westgate Park City Resort & Spa, Edge Steakhouse blends traditional steakhouse fare with an innovative approach to cooking. Known for its exceptional service, high-quality cuts of meat, and fresh seafood, this restaurant offers a dining experience that is both luxurious and satisfying.

What sets Edge Steakhouse apart is its attention to detail. The restaurant’s menu features a variety of cuts, from Wagyu beef to dry-aged steaks, all expertly prepared to perfection. Additionally, Edge offers an extensive wine list, making it easy to find the perfect pairing for your meal. The combination of excellent food, a sophisticated atmosphere, and top-notch service has earned Edge Steakhouse numerous awards and recognitions, making it a must-visit for any foodie in Park City.

No visit to Park City would be complete without a stop at High West Distillery, the first legally licensed distillery in Utah since Prohibition. High West offers a unique experience, blending the old-world charm of the American West with modern-day distilling techniques. Located in the heart of downtown Park City, High West is known for its award-winning whiskeys, but it’s also a fantastic place to grab a bite to eat.

High West’s rustic atmosphere is part of its charm, and the distillery offers a range of whiskey varieties, from smooth bourbons to bold ryes, all made using time-honored methods. In addition to tastings, visitors can take tours of the distillery to learn about the history of whiskey-making in Utah and the art of distillation. I had the chance to attend an elegant Woodland Masquerade at the distillery in Wanship, a quick 20-minute drive from Park City. The event contained entertainment, delicious food, and of course, whiskey.

Park City isn’t just about great food and drinks – it’s also a haven for those looking to relax and recharge. One of the standout lodging options in Park City is LIFT Park City, a modern mountain resort in the heart of Canyons Village. LIFT offers luxury accommodations with a contemporary design, providing guests with all the comforts of home while being just steps away from world-class skiing, hiking, and biking trails.

LIFT Park City is designed with both relaxation and adventure in mind. The resort features spacious residences with fully equipped kitchens, private balconies, and stunning views of the mountains. Guests can enjoy the outdoor pool, fitness center, and other amenities that make it easy to unwind after a day of exploring.

Speaking of relaxing, after a day of outdoor activities, there’s no better way to unwind than with a visit to Serenity Spa. Located within the Westgate Park City Resort & Spa, Serenity Spa offers a wide range of treatments designed to soothe both body and mind. From massages and facials to body wraps and aromatherapy, the spa’s expert therapists provide personalized treatments that leave you feeling refreshed and rejuvenated.

The spa’s tranquil atmosphere is the perfect antidote to the stresses of everyday life. With its serene decor, calming scents, and peaceful music, Serenity Spa creates a truly relaxing environment where guests can escape from the hustle and bustle of the outside world. Whether you’re indulging in a full day of pampering or just popping in for a quick treatment, Serenity Spa offers a luxurious retreat that will leave you feeling revitalized.

For those seeking a cozy and casual dining experience, Cafe Terigo is a local favorite. This family-owned restaurant is known for its delicious Italian-inspired dishes, made with fresh, locally sourced ingredients. Located on Main Street in downtown Park City, Cafe Terigo has a charming, rustic atmosphere that makes it a perfect spot for a leisurely lunch or dinner.

The menu at Cafe Terigo features a variety of Italian and Mediterranean dishes, from wood-fired pizzas to house-made pastas. The restaurant is also known for its creative salads, seafood dishes, and delectable desserts. Whether you’re in the mood for a light bite or a hearty meal, Cafe Terigo’s menu offers something for everyone.

Park City is home to not one, but two gay ski weeks. The first, Elevation Utah, takes place February 19-23, 2025, and features Après-ski events, dance parties, and casual meetups, which draw attendees from around the country. Queer Ski will take place from March 18-25 and is a known to be more of a localized event drawing LGBTQ individuals from the region.

As my time in Park City came to an end, I couldn’t help but reflect on the town’s unique charm and diversity of experiences. From the adrenaline of skiing down powdery slopes to the peacefulness of a sunset hike, Park City captures the essence of adventure and tranquility in equal measure. The warmth of its local community, combined with its breathtaking natural beauty, makes this mountain town a place you’ll want to return to again and again.

Our final evening consisted of the Rarities & Reserves tasting at Red Pine Lodge. We had the chance to sample a wonderful selection of small-batch and boutique wines from around the country in the most wonderful setting, high atop a mountain. It was the perfect way to end a perfect trip discovering Park City. Whether you’re a ski enthusiast or a nature lover, Park City should be on your list of places to explore.

Enjoy the Journey!

Joey Amato is the publisher of Pride Journeys, a syndicated LGBTQ travel column. Joey has worked in LGBTQ media for over a decade and resides in Indianapolis. For more information about Pride Journeys, visit www.PrideJourneys.com.

Some places entertain, and some places transform. Studio One, the legendary West Hollywood disco, was undoubtedly the latter—a pulsating heartbeat of queer joy, resistance, and unity in a time when being openly gay was still a revolutionary act. In the compelling and deeply moving documentary Studio One Forever, director Marc Saltarelli brings this electric history to life, ensuring that the club’s legacy continues to shine for generations to come.

Narrated by the always engaging Bruce Vilanch and film historian David Del Valle, Studio One Forever does more than chronicle the rise of a nightlife hotspot—it tells the story of a community's fight for visibility, equality, and celebration in the face of societal rejection. At a time when LGBTQ+ history is often at risk of being forgotten or erased, this documentary serves as a powerful reminder that LGBTQ stories matter—and spaces like Studio One were vital lifelines for many.

Saltarelli skillfully blends archival footage, intimate interviews, and personal recollections to paint a vibrant picture of the club’s golden years. Through the voices of icons like Chita Rivera, Lance Bass, Roslyn Kind, and Thelma Houston, as well as the heartfelt memories of former bartenders, performers, and patrons, the film captures both the glamour and the grit of a defining moment in queer history.

What makes Studio One Forever truly special is its ability to balance nostalgia with a deeper, more urgent message. Studio One wasn’t just about disco balls and dance floors—it was about freedom. It was a place where people who had long been marginalized could finally be seen, heard, and celebrated. The film doesn’t shy away from the darker chapters either, touching on the club’s role during the height of the AIDS crisis and how it became a rallying point for love, advocacy, and grief.

There’s a particular beauty in hearing these stories today, especially from those who lived through a time of cultural transformation. From moments of defiance and protest to the sweet recollections of friendships formed on the dance floor, Studio One Forever is rich with emotion and authenticity. The presence of Hollywood elite—Bette Davis, Jimmy Stewart, and others—adds a layer of glittering context, underscoring how the club brought together unlikely communities in a shared space of acceptance and expression.

For younger audiences, the documentary serves as both a lesson and a legacy. It reminds us that our modern Pride parades, inclusive policies, and queer media visibility were hard-won by those who came before us—often on the very dance floors that were once considered dangerous simply for being queer. Studio One was more than just a club; it was a movement. And thanks to Saltarelli’s film, it now lives on as a cornerstone of LGBTQ+ cultural history.

In a time when LGBTQ+ rights are again under scrutiny and spaces for queer gathering are still being threatened, Studio One Forever is not just a nostalgic look at the past—it is a call to preserve the spaces that nurture us, empower us, and remind us that we belong.

Whether you danced under the lights of Studio One yourself or are just discovering its story, this documentary is a must-watch. It is a dazzling, emotional celebration of queer resilience, creativity, and the power of chosen family. And most of all, it reminds us: our stories are worth telling. Our spaces are worth saving. And our history must never be forgotten.

Studio One Forever is currently streaming on Apple TV+. P&E

In a music scene saturated with sameness, Blue J and The Pigeons strut proudly to the beat of their kazoo. Based in New Mexico, this nine-piece queer collective is rewriting what it means to be a genre-bending band—delivering a riotous fusion of 1960s doo-wop style and 1980s punk spirit. If you’ve ever wanted drag, burlesque, punk rock, glittery tuxedos, and a kazoo solo all in one performance, this is your moment.

Founded by longtime collaborators and real-life brothers Jeff Bailey Cannon and Chris Cannon, Blue J and The Pigeons emerged from the ashes of various past projects, coalescing into a glorious musical phoenix in late 2019. “Chris and I have been in bands together since we were kids,” Jeff says. “If I start any project, he’s going to be in it.” The idea had been brewing in Jeff’s mind for years, but it wasn’t until several bandmates found themselves without projects at the same time that the group officially took flight.

What started with three members quickly blossomed into something far bigger—and more fabulous. “I saw Lillith perform at a variety burlesque show and asked her to join the band between acts,” Jeff recalls. From there, the band grew organically: Raven was brought on next, and then Wombat and Mr. Bob-omb joined mid-performance at a local “shop and stroll.” With bassist Teddy and drummer Wes rounding out the rhythm section, the band’s sound—and stage presence—became something truly unique.

Jeff, who serves as the band’s music director, describes their approach as “a small theater troupe as much as a band.” Every member wears multiple hats: Lilith is the producer, Raven is the costume designer, K.J. handles graphic design, and Chris is the booking agent. “Everyone has roles to go along with the music,” says Jeff, “so no one is left out or overwhelmed.” The collaborative energy fuels their cohesive yet eccentric vibe, both sonically and visually.

Musically, Blue J and The Pigeons are a retro revival with punk punch. Their influences range from Frankie Lymon and the Teenagers to metal, jazz, and DIY punk. “I love dressing up in a flashy tuxedo, but I wanted to do a mostly punk band,” says Jeff. “It felt funny to call it something like Flashy and the Trashy—which is still a great name someone should take! But we landed on Blue J and The Pigeons, and even funnier—everyone ended up loving dressing up anyway.” Chris adds, “We all listen to different things—punk, jazz, metal—but we’re aligned on the vibe we want for this band.”
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Despite having nine members, the group runs surprisingly smoothly when it comes to songwriting and sound development. “We have main writers who present songs,” Chris explains. “One or two people may add their own ingredient, but overall, everyone’s on the same page.” Jeff echoes that sentiment, adding that his role involves arranging songs and ensuring a cohesive style, even when different members contribute ideas.

Their upcoming debut album, recorded at Wall of Sound with engineer John Wall, is expected to drop soon and promises to be a sonic feast. “It’s an eight-song record with mostly originals,” says Jeff. “We’ve got love songs, punk guitars, metal solos, harmonic vocals—and even a Christmas song,” Chris adds that the experience has sharpened everyone’s musical skills. “John brought out the best in our musicianship.”

Beyond the music, Blue J and The Pigeons are all about building community. Whether performing at fundraisers, supporting LGBTQ+ spaces, or planning future weddings and casino gigs, they believe in using their platform to spread joy and inclusion. Their mission? “To have fun, make people dance, and always be learning,” says Jeff.

Education plays a significant role in that ethos. Jeff is currently studying music at UNM, and Chris continues to take advanced guitar lessons despite three decades of experience. “We’re committed to growing, both individually and as a group,” Jeff says. “The more we learn, the better we play—and the better time we can give our audience.”

Their shows are pure spectacle: punky, playful, and packed with glitter. The burlesque influence shines in the costuming; the drag culture pulses through their theatrical flair. And yes—there’s kazoo. It’s camp, it’s chaos, it’s cohesive. In short, it’s Blue J and The Pigeons.

So, where can you find them? Right now, the band is most active on Facebook and Instagram. But with their debut album on the way, they plan to expand their presence across YouTube, Spotify, and more. “Once the record drops, we’ll have a lot more out there,” says Chris.

In a world that often asks artists to pick a lane, Blue J and The Pigeons proudly take the scenic route—bedazzled, brilliant, and beating their own beautifully queer drum.

If you’re looking for a band that makes you laugh, dance, and feel seen, this flock is for you. Just follow the kazoo. P&E - Teresa Robinson

As queer storytelling continues to flourish, 2025 brings a new wave of LGBTQ+ books that celebrate history, romance, resilience, and community. From vibrant biographies to heartfelt romances and magical adventures, these new titles offer powerful narratives that affirm identity and showcase the diversity of queer experiences.

As a queer community, it is vitally important that we recognize where we come from and where we are going. Unfortunately, it can be easy for us to become complacent, scared, and freeze up because we feel hopeless or our efforts don't count. I honor these valuable feelings, but let's challenge ourselves to DO SOMETHING about it. We all protest and resist in different ways. However we do this, it's time to embody who we are boldly and take action so all humans can live out loud, freely, and fully expressed.

As we move through life, ask ourselves if we are stubborn or complacent. Are we accepting unjust situations within our community or other marginalized groups? We need to get back to empathy and connection. Caring for others is not a weakness or a waste of time. Calling something out because it is not life-affirming is worth it every time. It will be our strength.

Accountability within ourselves is where we can start. If we know better, we do better. We need to recognize all facets of the queer community and get outside of our comfort zone to create inclusion. It starts with us. Our strengths do come from our relationships within our community. How do we help one another? How do we build bridges with businesses and people that don't always align with our views? How do we get uncomfortable and out of our way to stand for one another? Our situation in this political climate catalyzes us to stand up for one another.

Stonewall happened. They can erase the words in the history books, but you and I know what is real. We know how to do hard things. And we know how to take turns holding each other through it all. We have made great strides in our fight to be equals. We are also moments away from having our freedoms stripped from us yet again. I know for me, the truth is, no one can take my freedom because it now lives inside of me. But that doesn't mean they cannot take away MY human rights. As a nonbinary trans person, I am well aware that I am considered a second-class citizen here in the United States by many. But I cannot allow that to define me. I must root down. I must spread out. I must be ALL of me now. We all must. And this is the thing that they (those who do not support our livelihood) cannot take from us. We are big. We are bright. We are free. When we are all of it together, we are a force of unstoppable love. Freedom does live within us. We are strong, and we are resilient. Together. P&E - Lee Ignatius King